Nothing makes an abyss darker than the occasional presence of light. For a quarter of a century now, Nine Inch Nails has made a name by trading in brutal, nihilistic, hedonistic despair set to subversively commercial riffs. While I’ll admit to having a soft spot for the band’s breakthrough 1989 single “Head like a Hole,” in general Nine Inch Nails never really did much for me. Like a horror movie with no good guys – no beauty being threatened by evil – I just found the bulk of their material narcissistic and boringly bleak. (CONTINUED…)
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